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María-José García Anguiano

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About Me

I am a licensed mental health counselor with more than twenty-seven years of clinical experience, including twenty-four years in outpatient psychiatry at Massachusetts General Hospital and over sixteen years in private practice.

Alongside this work, I am a certified practitioner trained through Modern Mystery School International, offering Ensofic Reiki, healing and activation within the lineage of King Salomon.

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I earned a Bachelor of Fine Arts in photography with a minor in Art History from the Maryland Institute College of Art, followed by a Master's degree in Expressive Therapies with a specialization in Art Therapy from Lesley University in Cambridge, MA.

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My training has continued throughout my career and includes Depth psychology, Transpersonal psychology, and contemplative approaches to self-inquiry. My work within the Modern Mystery School lineage extends this same inquiry into the energetic and spiritual dimensions of a person — the layer that psychology has long acknowledged and rarely had tools to reach directly. The two bodies of training inform one another. Both begin with the conviction that a person is more than their symptoms.

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Growing up in different countries gave me an appreciation for diverse cultures and perspectives, helping me recognize that every person's life unfolds within a unique context. This continues to fuel my work with curiosity, humility, and respect.

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In addition to practicing counseling and guidance, I am also a fine artist and pattern designer. Creativity, nature, and lifelong learning continue to nourish both my personal life and the work with those I serve.

My philosophy of Healing

Long before medicine separated the body from the soul, healing was understood as a return. In the temples of Asclepius, the sick came not for treatment but for incubation — a night spent in the sanctuary, waiting for the dream that would reveal what had fallen out of order. The cure was not administered. It was remembered.

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The Hermetic texts of Alexandria carried a similar understanding, expressed as a principle: as above, so below. What is true in the greater order is true in the smaller one. A person is not a machine that breaks, but a pattern that can fall out of alignment with its source. Plotinus, writing in the third century, described the soul's task as a turning — not the acquisition of something new, but the removal of what obscures what is already there. He compared it to a sculptor who does not add to the stone, but cuts away until the figure stands revealed.

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These ideas have outlasted the civilizations that produced them because they describe something structural. Illness, in the older understanding, is disorder. Healing is the restoration of order. And light — the oldest metaphor we have for consciousness — is what makes that restoration possible.

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My work is grounded in this same understanding.

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I do not believe healing is something one person does to another. The practitioner does not supply the light; the practitioner opens the door. What arrives is the person's own original design, still intact beneath whatever has accumulated over a lifetime — inherited patterns, old attachments, imprints left by experiences long since forgotten by the mind but not by the body.

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The lineage I work within is precise about this. Each session has a structure and a purpose, refined across generations of practitioners who understood that reverence and rigor are not opposites. Nothing here is improvised.

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What I have come to trust is that people are not fragile. They are obscured. And when the obscuring is lifted — sometimes gradually, sometimes all at once — what stands revealed is not a better version of the person, but the one that was always there.

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That moment of recognition, when someone meets themselves without interference, is what I find most rewarding and honored to witness.

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